IUS of Time goes back to Piloña two weeks after its screening at Festival Piloña Alternativa. On Saturday 5 September 2026, at 12:00, the film screens at the Antiguu Balneariu de Borines, in the Especial Curtiometraxes session of La Benefílmica, the Muestra de Cine de Piloña that La Benéfica holds from 4 to 6 September, with peripheral activities on 1 and 5 September.

The screening also comes two weeks after the film won Best LGBTQIA+ Film at the 3rd Power24 International Film Festival in Durban, its first award in Africa and the eighth of its circuit. Between Durban and Borines there is a straight line: the story that travelled to South Africa was filmed in these meadows, in these houses, with this light.

La Benefílmica: taking cinema out of the theatre and into the praos

La Benefílmica is organised by a group of neighbours of the council who work professionally in the audiovisual sector, and is hosted by La Benéfica de Piloña. The stated idea is to take cinema out of the screening rooms and spread it across the territory: half the programme happens indoors, in the Benéfica theatre in L’Infiestu, and the other half outdoors, in praos where the audience is asked to bring their own chair — ¡trai la siella!

The three days are built as three journeys, titled in Asturian: Un viaxe universal (Friday 4), Un viaxe feríu (Saturday 5) and Un viaxe ocultu (Sunday 6), with screenings in Vegarrionda, Antrialgo, Borines and the recreational area of La Cueva. Every session works on taquilla inversa: admission is free and each person contributes what they consider fair afterwards.

The showcase is run with Estamos de Cine, the itinerant cinema service of Muchofoco en lo rural, and counts on Laboral Cinemateca, the Asturias Paraíso Natural Film Commission and, for the Borines session, Borines Manantial de Cultura. Almost Red Producciones collaborates with the showcase by providing IUS of Time for the Borines session on 5 September.

Screening details:

• Film: IUS of Time (IUS del tiempo) · Spain · 2025 · 25 min · Drama, Rural, LGBTIQ+
• Date: Saturday, 5 September 2026
• Time: 12:00
• Venue: Antiguu Balneariu de Borines, Piloña, Asturias
• Session: Especial Curtiometraxes · La Benefílmica
• Dates of the showcase: 4–6 September 2026
• Admission: taquilla inversa (pay what you consider), until capacity is reached
• Organised by: La Benéfica de Piloña

Three shorts at the old spa of Borines

The Borines session brings together three short films tied to the council: Nana Dee (Momo Willet and Marta Sniezek, 2023), Cases (Jandro Llaneza, 2025) and IUS of Time (Roberto F. Canuto and Xu Xiaoxi, 2025). An hour earlier, at 11:00, the same venue opens the exhibition and art market Artistes Beneficos, with works on sale at reduced prices.

The venue is not a neutral choice. The session runs with Borines Manantial de Cultura, in a building known across Asturias for the spa and the mineral water that carry the name of the village. Screening short films there says something about what the whole showcase is doing: using the buildings the council already has, and putting people back inside them.

Piloña, a setting of IUS of Time

A large part of IUS of Time was filmed in Piloña. The shoot used El Chigre, the bar-shop in Biedes; a traditional stable in Sevares; and a 17th-century rural manor house in Biedes, still furnished with pieces from the Napoleonic period, which became the home of Xuan, the older of the two protagonists. Some of the film’s best-known images were shot at the former Cándido San Miguel school in San Román.

The production had the backing of Piloña Town Council, the Asturias Paraíso Natural Film Commission and the Department of Culture of the Principality of Asturias.

A building that was already a cinema

La Benéfica de Piloña was built in L’Infiestu in 1926 as the headquarters of a mutual aid society. For two decades its 400 square metres worked as a theatre, a dance hall, a cinema and a meeting place. The society dissolved in 1946 and the building went through other lives — a sweet factory, a car park — until it fell into ruin.

In 2021 the musician Rodrigo Cuevas, together with Sergi Martí and Nacho Somovilla, set up an association that took the old name, bought the wreck of the building and turned it into a venue for live arts and community work in a council that keeps losing people. Cuevas, born in Oviedo and winner of Spain’s Premio Nacional de las Músicas Actuales in 2023, has put the aim in a single idea: culture is what creates territory. The Asturian language is part of that, which is why the whole programme of La Benefílmica is written in llingua.

A hundred years after the building opened, a film shot a few kilometres away screens under the same project.

Asturian in the detail, and understood everywhere

IUS of Time follows Luca, a young photographer, and Xuan, an ageing cheesemaker who has spent his life hiding his homosexuality under the pressure of a small community. The film is Asturian in its landscape, its work, its silences and its way of speaking, and it has been read without difficulty in places that have nothing to do with the Cantabrian mountains.

Its route runs across five continents and 29 countries, with more than 70 festival selections and eight awards: the Director’s Choice Award at the 45th Thomas Edison Film Festival, Best Cinematography at the 4th Silicon Valley Queer Film Festival, the Piedad Isla Award for Best Cinematography at the 3rd Rural and Mountain Film Festival of Cervera de Pisuerga, the Audience Award of the Asturias section at the 24th Avilés Acción Film Festival, and now Best LGBTQIA+ Film at the 3rd Power24 in Durban.

It has also screened at the 31st Chéries-Chéris in Paris, the 43rd Reeling in Chicago and the 16th KASHISH Pride Film Festival in Mumbai. In Asturias it took part in the Asturies short film selection of the 63rd FICX, the Xixón International Film Festival.

Ahead, the film continues on the Spanish circuit with the Goya-qualifying 15th K-Lidoscopi in Cullera and the 28th Octubre Corto in Arnedo. Before that, it stops at Borines, a few kilometres from where it was filmed.

More information

• Official page of IUS of Time
• Complete list of festival selections and awards
• IUS of Time wins Best LGBTQIA+ Film at Power24 (South Africa)
• IUS of Time at Festival Piloña Alternativa
• La Benefílmica programme at La Benéfica de Piloña
• La Benéfica de Piloña on Instagram
• La Benéfica de Piloña on Facebook
• Watch the official trailer

Cover photo: analogue behind-the-scenes photograph by Elmer Guevara, with Manuel Pizarro as Xuan. © Almost Red Producciones.

The selection brings together six of the most acclaimed short films linked to Asturias, all of them widely recognized both nationally and internationally. Although Sunken Plum is set in China, the film is connected to Asturias through its director and its independent production model, developed between Spain and China, and was later incorporated into the Laboral Cinemateca distribution catalogue after receiving the Distribution Award at the 55th Gijón International Film Festival (FICX).

As part of this initiative, Sunken Plum will be screened across Asturias in a traveling circuit, with more than twenty confirmed screenings between April and June in different municipalities.

This anniversary selection highlights the role of Laboral Cinemateca in supporting and promoting Asturian filmmaking over the past decade, showcasing works that have achieved a strong presence on the international festival circuit.

Sunken Plum will be screened in more than 20 locations across Asturias as part of this touring program

As part of this special selection, Sunken Plum will travel across Asturias through “La Cinemateca Ambulante”, reaching a wide network of municipalities and reintroducing the film to local audiences.

Sunken Plum will be screened in more than 20 locations across Asturias as part of this touring program.

The screenings are scheduled between April and June 2026 in the following locations:

This extensive tour forms part of Laboral Cinemateca’s 10th anniversary celebrations, bringing cinema to more than 20 municipalities across the region and reinforcing its commitment to cultural access and the dissemination of Asturian filmmaking.

Through this initiative, Sunken Plum not only returns to its region of origin, but also reaches new audiences, reaffirming its continued relevance nearly a decade after its release.

Sunken Plum: a landmark short film in contemporary queer and transgender cinema

Released in 2017, Sunken Plum (original title Chen Li) is widely considered one of the most relevant short films addressing transgender identity in contemporary Asian cinema, particularly for its portrayal of rural China — a context rarely explored in queer narratives.

The film has been selected in over 150 international festivals across more than 55 countries, receiving over 30 awards and mentions worldwide.

Set between the city of Chengdu and a remote rural village in Sichuan, the film follows a transgender woman who, after years away, is forced to return to her hometown following the death of her mother. As the only “male” heir in the family, she must confront social expectations rooted in tradition while being unable to appear as herself in front of relatives and neighbors.

The cast combines professional performers with mostly non-professional actors, contributing to the film’s naturalistic tone while blending social realism with a subtle poetic dimension, creating an intimate and visually evocative portrayal of character and environment.

The film forms the third and final part of the Invisible Chengdu, alongside Ni Jing: Thou Shalt Not Steal (2013) and Floating Melon (2015), a body of work shot in Sichuan and performed in Southwestern Mandarin that portrays marginalized and often unseen realities of contemporary Chinese society.

Developed independently between Spain and China, the project reflects the filmmakers’ ongoing exploration of cross-cultural narratives, blending European auteur sensibilities with deeply rooted local contexts.

Sunken Plum originates from real social tensions, inspired in part by viral videos—later censored—that exposed violence against transgender women in China, grounding the film in a broader reflection on visibility, identity and social control.

Discover more about the film: Sunken Plum

Sunken Plum: international impact and major awards

Since its release, Sunken Plum has achieved over 150 international festival selections across more than 55 countries, receiving over 30 awards and mentions, and establishing itself as a key work within global queer cinema.

It has become one of the most internationally recognized short films addressing transgender narratives in Asian cinema.

The film had its world premiere at the 62nd SEMINCI – Valladolid International Film Festival (Spain), one of the most prestigious film festivals in the country. It later continued its international journey through key festivals, including the 22nd LesGaiCineMad – Madrid International LGBT Film Festival, and expanded globally with its U.S. premiere at the 36th Outfest Los Angeles LGBTQ+ Film Festival and its UK premiere at the 26th Raindance Film Festival, both Oscar-qualifying festivals.

The film was also presented at major international festivals such as the 39th European Short Film Festival of Villeurbanne (France), the 34th Interfilm Berlin International Short Film Festival, the 13th Shorts México – International Short Film Festival, the 29th Istanbul International Short Film Festival, and the 16th Bogoshorts – Bogotá Short Film Festival, among many others, consolidating its presence across the five continents.

In Spain, Sunken Plum was selected at several Goya-qualifying festivals, including the 21st Málaga Film Festival, the 30th Aguilar de Campoo Short Film Festival, the 31st Medina del Campo Film Week, the 16th FESCIGU – Guadalajara International Solidarity Film Festival, and the 30th l’Alfàs del Pi Film Festival, reinforcing its recognition within the national industry.

Awards and Recognition

Sunken Plum has received more than 30 awards and mentions worldwide, including:

• Silver Caravel for Best Short Film – 47th Cartagena International Film Festival (Spain)
• Best Short Film, Best Director and Audience Award – 11th Punto di Vista Film Festival (Italy)
• Best Screenplay – 10th ShanghaiPRIDE Film Festival (China)
• Audience Award & Unilabur Award – 22nd Cortada Short Film Festival (Spain)
• Audience Award – 10th Lobofest International Film Festival (Brazil)
• Best Short Film – Centro Niemeyer LGBTI Film Festival (Spain)
• Best Short Film and Best Screenplay – 6th Brighton Trans Pride Film Festival (UK)
• Best Short Film (Journalists’ Award) – 17th Avilés Acción Film Festival (Spain)

The film has received over 12 awards for Best Short Film, multiple Audience Awards, and several recognitions for performance, highlighting both its critical acclaim and its strong connection with audiences worldwide.

You can find the complete and updated list of festival selections here: Sunken Plum (Ciruela de agua dulce) — Awards & Festivals

A defining work in the filmmakers’ trajectory

Sunken Plum represents a turning point in the work of Roberto F. Canuto and Xu Xiaoxi, marking the consolidation of their cinematic language and their ongoing exploration of cross-cultural narratives between Europe and Asia.

Produced independently between Spain and China, the film reflects their commitment to auteur cinema and socially engaged storytelling, combining intimate personal narratives with broader social contexts.

Over time, the film has become one of their most widely screened works, contributing significantly to their international recognition and positioning within the global festival circuit.

Nearly a decade after its release, Sunken Plum continues to resonate with audiences and programmers worldwide. Its return to Asturias through this anniversary selection not only celebrates its past achievements, but also reaffirms its relevance in contemporary discussions around gender identity, representation, and cultural belonging.

As part of this retrospective, the film is not simply revisited — it is recontextualized as a work that helped shape the visibility of transgender narratives in international short filmmaking.

The filmmakers’ trajectory continues with their recent short film IUS of Time, well received at international festivals, further expanding their exploration of identity and memory. They are currently developing new fiction projects in both short and feature formats, planned to be produced between Spain and China.

Watch the official trailer: